Annual Images

James Scripps Booth (JSB), eldest son of George Gough and Ellen Scripps Booth,  attended St. Luke’s School in Wayne, Pennsylvania. According to the Tredyffrin Easttown Historical Society, St. Luke’s School operated from 1863-1927. It was in its Wayne, Pennsylvania location from 1902 until its closing. In 1907, JSB was a student there and drew pictures for the school’s annual.

Cranbrook Archives retains the original drawings of the pages James contributed, as well as copies of pages from the annual which feature JSB, his work, or his friends.

For more on James Scripps Booth, see some of our previous blog posts:

https://cranbrookkitchensink.wordpress.com/2015/05/29/i-have-a-crush-on-james-scripps-booth/

https://cranbrookkitchensink.wordpress.com/2017/09/29/tranquil-still-room/

https://cranbrookkitchensink.wordpress.com/2013/03/21/cranbrook-and-the-car-part-1-the-aristocrat-of-small-cars/

Leslie S. Mio, Associate Registrar

Hats in the Alhambra

After a long illness in 1886, Ellen Scripps Booth’s father James Edmund Scripps (1835-1906) retired from his work life in the newspaper business (he had founded Detroit’s The Evening News in 1873). James spent two years recuperating and traveling in England and continental Europe with his wife Harriet and their children. The family visited Scripps cousins and traveled with some of his twelve siblings and their children. James, who had become interested in architecture (particularly church architecture), spent many hours sketching at the locations they visited.

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Scripps family members at the Courtyard of the Lions at Alhambra, Granada, Spain, November 1888.  From left: William Armiger Scripps, Ellen Browning Scripps, Eliza Virginia Scripps, Grace Locke Scripps, Florence May Scripps, Harriet Messinger Scripps, Anna Virginia Scripps, James Edmund Scripps. Courtesy Cranbrook Archives.

James Edmund Scripps sketched exterior wall decoration at Alhambra, below. Notice how closely it matches the wall in the photograph.

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In the picture at the Alhambra, take a look at James’s sister second from the left: Ellen Browning Scripps. Ellen was a publisher for The Evening News and wrote a daily column, nicknamed “Miss Ellen’s Miscellany” that rehashed local and national news in a conversational tone. She even sent dispatches back to Detroit from Europe. Shortly after their trip to Europe and well-hatted visit to the Alhambra, the Scripps siblings had a bit of a falling out: she and another brother headed to California, where she eventually founded many important educational and philanthropic organizations in the San Diego area.

If you want to hear more about Ellen Browning Scripps and the Scripps siblings, the Cranbrook Center for Collections and Research is hosting a lecture and book signing with Molly McClain on Sunday, November 12thEllen Browning Scripps: New Money and American Philanthropy  is a new book by Dr. McClain, Professor of History at the University of San Diego. To learn more about the lecture and to purchase tickets, click here. Books are also available to purchase through the Center.

–Cranbrook Center for Collections and Research

 

Cranbrook Celebrates Halloween

Campus celebrations throughout the years.

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Tranquil Still Room

“My father got me started the other day decorating and coloring a very elaborate plaster ceiling and nobody knows when I’ll get it finished.” So wrote James Scripps Booth in a letter to a favorite artist’s model Helen Knudson. The elaborate ceiling he referenced is the ceiling of the Still Room at Cranbrook House:CECT106det16George G. Booth created the Still Room as a part of his office suites in 1918. It was as a place to take a noonday rest. In old English country houses, the Still Room was a place where medicines were prepared, herbs and flowers were infused in water or oils, and where home-brewed beers and wines were made. As Henry Scripps Booth recalled in another letter, “We started applying the term to the small room at the south end of the wing although Mr. Booth had no intention of making whiskey, beer or wine, but on using it as a quiet place for reading, conversation and taking undisturbed naps.”

Commissioned by Booth, Ulysses Ricci and Anthony DiLorenzo designed the ceiling for the Still Room in 1919. The ceiling depicts classical Pompeiian figures, animals, and motifs of swags, festoons, masks, floral and foliage. The ceiling consists of four arched sections, a central medallion, and a tympanum* piece on each wall.

James Scripps Booth described his painting method for the ceiling: “I have to lie down in a steamer chair that is rigged up high on a scaffold, when I work and there is such a lot of detail design it keeps me guessing…” James painted the ceiling in blues, pinks, greens, yellows, purples, and browns against an off-white background.

Words can not describe the beauty of the ceiling. As they say, a picture is worth 1,000 words.

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Leslie S. Mio, Associate Registrar, Cranbrook Center for Collections and Research

*tympanum is a semi-circular or triangular decorative wall surface over an entrance, door or window

Photo Friday: Model Club

Gregg and Model Class

Cranbrook School’s Model Club, March 1952. From left: Faculty Advisor Richard Gregg, David Higbie, Don Young, David Morris, President Richard Gielow, Adams McHenry, Don Hart, Pete Dawkins, Dahmen Brown, and Jerry Phillips. Harvy Croze, photographer. Courtesy of Cranbrook Archives.

This week’s Photo Friday shows the Cranbrook Model Club of 1952—a well-dressed group of Cranbrook School boys and their faculty advisor, Richard Gregg, who met to further their interest and skills at model making. Models, of course, interested Cranbrook’s founder George Booth and are integral to the architectural design process, so its fitting that Cranbrook School had a Model Club.

Model making as a middle-class hobby boomed after World War II, when boys and their fathers were encouraged to take up productive and wholesome pursuits in their leisure time. The broad affordability and availability of plastic model kits meant hobbyists didn’t have to have special tools or carving skills to produce a model—anyone could assemble a kit! Looking closely at the photograph of the Model Club (you can zoom in on the photo here), I believe these are airplanes assembled from such kits.

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Cranbrook School art class with instructor Richard “Dick” Gregg sculpting a bust, 1952. Harvy Croze, photographer. Courtesy of Cranbrook Archives.

The model club’s advisor was Richard Gregg, a 1951 Academy of Art graduate. Born in Kalamazoo, Gregg studied sculpture at the Academy. While a student, he worked on various sets for productions by St. Dunstan’s Theater. Following his studies, he taught art at Cranbrook School for Boys during the 1951-1952 school year. After he left Cranbrook, his love of art and art education continued; Gregg went on to work in museums as a design instructor, a curator, and a director at various places across the Midwest and East Coast.

I don’t know that much about the Cranbrook Model Club, but on this hot, blue-skied Friday, I thought it was a nice moment for a photo of something as leisurely and enjoyable as model airplanes!

– Kevin Adkisson, Collections Fellow, Cranbrook Center for Collections and Research

Portrait of the Vettraino family children. From left: Dominick, Sam, John, Concetta (Connie), Rose, Annette.

Portrait of the Vettraino family children. From left: Dominick, Sam, John, Concetta (Connie), Rose, Annette.

Cranbrook Archives is excited to announce a new online collection of material that highlights the contributions of the Vettraino family at Cranbrook. The collection includes a sampling of photographs and documents of the family, as well as other Italian immigrants who worked on campus clearing the land and building roads and stone walls; maintaining the landscape; and working in the Cranbrook Fire and Police Departments.

Michael (Mike) Vettraino came to Cranbrook in 1905 to work with one of George Booth’s first landscape architects, H.J. Corfield. Mike served Cranbrook for more than 50 years and received the Founders Medal in 1955. For more than 110 years, his children and grandchildren have continued to honor his legacy, serving the Cranbrook community not only as grounds-keepers, but in many other areas of the campus. We are pleased to be able to share their amazing legacy.

Cranbrook Archives Staff

Stay Tuned…

Apologies for our tardiness! Due to the widespread power outage in Southeast Michigan, the blog will be delayed by a few days.

Postcard of the Mannleinlaufen (a mechanical clock that commemorates the Golden Bull of 1356) at the Frauenkirche (Church of Our Lady) in Nuremberg, 1921. Courtesy, Cranbrook Archives, The Virginia Kingswood Booth Vogel Papers.

 

Selfie (/ˈsɛlfi/) – A photographic self-portrait

Most people think that selfies are a new phenomenon, but they have been around since the beginnings of photography. American photographer Robert Cornelius took a daguerreotype of himself in 1839.

As technology advanced, photographers, both professional and amateur, figured out new ways to take self-portraits. The mirror was a popular medium for the selfie. Even the ill-fated Grand Duchess Anastasia Nikolaevna of Russia took her own photo in a mirror in 1914.

Therefore, it was not surprising that the prolific Booth family photographer Henry Scripps Booth sought a way to take self-portraits. When using something like a Folding Kodak camera, Henry would have “tied a long string to the shutter release so that some member of the group could pull the string and thus make the exposure while remaining in the picture.” (Kodakery: A Journal for Amateur Photographers.)

Here are two examples of Henry’s technique in action:

Henry Booth and Carolyn Farr, titled, "'The End' (note the string) 1924," Pleasures of Life (POL 7.78.3)

Henry Booth and Carolyn Farr, titled, “‘The End’ (note the string) 1924,” Pleasures of Life (POL 7.78.3)

The Booth Family Fourth of July picnic, titled, "Thistle pulls the string – Indipendance [sic] Day 1925", Pleasures of Life, POL 8.13.1.

The Booth Family Fourth of July picnic, titled, “Thistle pulls the string – Indipendance [sic] Day 1925”, Pleasures of Life (POL 8.13.1)

Leslie Mio, Assistant Registrar

Photo Friday: Good Things Come To Those Who Wait

In October 2014, archivist Cheri Gay, wrote a blog on the pet cemetery at Thornlea Studio and the love the Booth family had for their animals.

In the blog, Cheri states, “When Henry was growing up, the Booth family had beagles, Prince and Mike, and a great dane, Ginger. Mike, according to Henry, ‘… loved having a fuss made over him, one time going so far as being pushed around in a doll carriage while wearing a canvas hat.’ Oh to have a photograph of that!”

On this Photo Friday, the Cranbrook Kitchen Sink is proud to present:

Mike the beagle, being pushed in a doll stroller... wearing a canvas hat!

Mike the beagle, being pushed around in a doll carriage… while wearing a canvas hat!

Leslie S. Mio, Assistant Registrar

Balthazar Korab and his Island of Serenity

A great portion of the time I’ve spent as an archivist at Cranbrook has focused on our photo collections. It would be impossible for me to choose a favorite photo, but I definitely find that one photographer in particular always comes to mind when I get a photo request or when I conjure up an image of campus.

Born in Budapest, Hungary, architect and photographer Balthazar Korab (1926-2013) documented life and work here at Cranbrook for several decades. His iconic images continue to be some of our most requested.

Korab at work at Eero Saarinen and Associates, 1957. Courtesy Cranbrook Archives.

Korab at work at Eero Saarinen and Associates, 1957. Courtesy Cranbrook Archives.

Korab studied architecture at the Polytechnicum Jozsef Nador in Budapest until he felt the necessity to escape his country’s communist regime in 1949. He opted for France, where he continued his education at the École des Beaux Arts in Paris, and received his degree in architecture there in 1954. During this time, Korab worked throughout Europe as a journeyman with notable architects, including Le Corbusier.

In 1955 he came to the United States and was hired by Eero Saarinen to work at Eero Saarinen and Associates (ESA). While Korab was worked there, he saw how Saarinen built models of his designs. Korab volunteered to use his knowledge of photography to develop techniques for dramatic photos of the models. This took him off the drawing board and he soon began to get assignments from other architects. What followed was an illustrious career photographing the works of many of the most significant architects world-wide, including: Ludwig Mies van der Rohe, Gunner Birkerts, Minoru Yamasaki, Frank Lloyd Wright, and many others.

Yamasaki's model of the U.S. Pavilion at the World Agricultural Fair, India. Photograph by Balthazar Korab, ca 1959.

Yamasaki’s model of the U.S. Pavilion at the World Agricultural Fair, India. Photograph by Balthazar Korab, ca 1959.

Korab was introduced to Cranbrook during his time at ESA. In an interview for the Observer and Eccentric in June 1995, he said: “Arriving from a war-torn Europe, I soon was involved with Eero Saarinen’s GM Tech Center, a marvel of the dynamic, brash, wining face of America. It left me in awe and admiration. But my love went for the other Saarinen marvel, a then-middle-aged beauty, Cranbrook. It became a place of refuge and comfort, a source of nutrients for my severed roots to take hold in this strange soil. Its radiant aura was my inspiration.”

Oriental Garden bridge, Fall 1980. Copyright Balthazar Korab/Cranbrook Archives.

“Oriental Garden” bridge, Fall 1980. Copyright Balthazar Korab/Cranbrook Archives.

In the early 1980’s Korab was hired as one of several contract photographers here at Cranbrook. Over the next three decades, his images provided breath-taking panoramas, as well as minute details of the grounds, art, and architecture of this campus. The beauty of his work cannot be over-stated.

Gina Tecos, Archivist

Editor’s Note: In an July 1998 article in ambassador magazine, Korab referred to Cranbrook Educational Community as his “island of serenity.”

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