Three Women and a Conservator

One of the interesting components of our jobs as collections managers, registrars, and archivists is that we get to interact and learn from conservators in our fields. On Friday, three of us went down to Detroit and met with Giogio Ginkas of Venus Bronze Works. A non-descript warehouse building sported a gray metal door which led us into the lobby gallery where Giorgio has displayed art from his personal collection of metro-Detroit artists, including Cranbrook’s Gary Griffin. Then we walked into the “shop” where his tools and equipment are interspersed with numerous sculptures (primarily metal) in various stages of repair, restoration, and conservation.

Giorgio Ginkas explaining the conservation process for the Wishing Well. Courtesy Cranbrook Archives.

Giorgio Ginkas explaining the conservation process for the Wishing Well. Courtesy Cranbrook Archives.

Currently, Venus Bronze Works has three of Cranbrook’s works in his shop – two are awaiting reinstallation on the grounds, while the metal “arch” from the Wishing Well at Cranbrook House is just undergoing restoration.

Parts of the Wishing Well “arch” removed for restoration. One element was missing so a replacement piece had to be fabricated. Courtesy Cranbrook Archives.

Parts of the Wishing Well “arch” removed for restoration. One element was missing so a replacement piece had to be fabricated. Courtesy Cranbrook Archives.

Orpheus figure, restored and waiting to be reinstalled at Cranbrook Academy of Art (CAM 1931.9). Courtesy Cranbrook Archives.

Orpheus figure, restored and waiting to be reinstalled at Cranbrook Academy of Art (CAM 1931.9). Courtesy Cranbrook Archives.

For more on Venus Bronze Works, including Detroit’s own RoboCop statue, see: http://www.dailydetroit.com/2015/08/24/remember-robo-cop-statue/

Leslie S. Edwards, Head Archivist

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