What’s in a Name?

Sometimes, what appears to be a simple question doesn’t have an easy answer in the archives. By combining forces with colleagues, and looking in places you might not first suspect, you can ideally turn a boggling question into a rewarding quest. Provided, of course, you can solve the mystery! Happily, this was recently the case.

When contacted by a Kingswood School graduate about the origins of a certain sculpture that had graced the Green Lobby in the 1960s-1970s, I had two names to go on: Suki and Pam Stump Walsh. Was either of these the name of the sculptor and was the sculpture even still there? After checking several possible sources in the archives, it was time for a field trip to Kingswood. There she was opposite the green stairs, just as she had been described to me: a bronze sculpture of a girl, sitting cross-legged, head bowed, reading a book. I’d answered part of the question: she was still there.

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And much to my delight there was also a plate tacked to the sculpture’s wooden pedestal. It read: “In Remembrance, Suzanne Anderson Stenglein, Class of 1947.”

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Could this be Suki?

Back in Archives, I found a Suzanne Anderson in the 1947 Kingswood yearbook, Woodwinds. Next to her picture, this description: “That dashing station wagon, that’s always on the go, beautiful taste in clothes, and exciting vacations make Suki the ideal senior for every underclassman. Her pertness, her nose, and her spirit, that help to create her charm, match perfectly her conversational ability on all subjects from Broadway to baseball.”

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Suzanne Anderson, 1947. Copyright Cranbrook Archives.

I still didn’t know if this was the sculptor, or if it was Pam Stump, who is perhaps best known at Cranbrook for her work, Jane: Homage to Duchamp in the Kingswood courtyard. It certainly appeared to be Stump’s style. Associate Registrar Leslie Mio found a listing in Cranbrook Cultural Properties records for Suki, described as a patinated bronze sculpture attributed to Pam Stump.

Detroit native M. Pamela Stump graduated from Kingswood School in 1946. After attending the University of Michigan College of Architecture and Urban Planning for one year, she left to study sculpture under Marshall Fredericks in his Saginaw studio. Twenty-three years after leaving Kingswood, Stump, now Pamela Stump Walsh (she married Cranbrook School 1944 graduate, David E. Walsh), returned to teach sculpture. She retired in 1990, but continued creating and showing her own work throughout the state and internationally.

I appeared to have my answer, but I wanted definitive proof, and, ideally, a date. Back to Kingswood School. This time, with the help of Associate Archivist Laura MacNewman, I found the artist’s signature, and, a date!

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End of story, right? Not quite. I still wondered about the sculpture’s origins. The Archives, thankfully, hold the M. Pamela Stump Papers. Consisting mainly of her Cranbrook Kingswood Chronicle, a memoir she titled, “Ubi Ignes Est or Where’s the Fire?” it provided the final details.

Stump made eighteen sculptures for Cranbrook while on the Kingswood faculty. Shortly after she started, in 1969, she was commissioned by the Class of 1947 to create a sculpture in memory of their classmate Suzanne Anderson Stenglein, who had died prematurely the year before. Stump refers to the bronze sculpture of Suzanne as Girl Reading or Suki. It was specifically designed to fit in the niche just outside the Headmistress’ office, directly opposite the staircase in the Green Lobby, and purposely placed on a revolving wooden pedestal so it could be turned 180-degrees to face the wall and enable examination of all the various textures and symbols on its surface. Stump writes, “On her body are many symbols of her life. This was easy because I had known her at Kingswood and in Saginaw.” Here you see this symbolism, along with the names of Suzanne’s schools before she came to Kingswood; her initials, S.A.; and her nickname, found on the crown of her head:

To bring things full circle: a close examination of negatives in the archives collections (identified only as “Kingswood Interiors”) found period images of the sculpture:

suki012 The Reading Girl by Pamela Stump, July 2, 1969. Bradford Herzog, photographer. Courtesy Cranbrook Archives, Cranbrook Photograph Collection.

I also learned from The Birmingham Eccentric, that Suki was the daughter of Goebel Brewing Company President Edwin John Anderson. She grew up in Saginaw, where she presumably met her husband, Harold Stenglein. The pair were married at Christ Church Cranbrook in 1955, and made their own home in Saginaw. At this juncture, little else is known about the girl behind the sculpture’s name.

 – Deborah Rice, Head Archivist

A Philosopher Chimpanzee’s New Home

Lake|Flato Architects of San Antonio, Texas designed the Cranbrook Kingswood Middle School for Girls in 2011. Like other buildings on Cranbrook’s campus, Lake|Flato designed niches along the main hallway for the display of art. I’ve had the pleasure of helping incorporate art pieces into the building; we always try to add works that enhance the material palette of the building–green glazed brick, Kasota limestone, brown cast-stone block, copper, and light maple.

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Philosopher Chimpanzee displayed on a custom mount in a niche at the Cranbrook Kingswood Middle School for Girls.

This summer, the Center for Collections and Research along with Capital Projects installed a work from the Cultural Properties Collection in one of the niches: Philosopher Chimpanzee, by former Kingswood School Cranbrook Sculpture Instructor Marshall M. Fredericks.

Philosopher Chimpanzee is a bronze high-relief of a monkey in a thoughtful pose with a smaller monkey in the background. There is a green patina on the bronze.

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Signature “Marshall Fredericks” on the bottom of the relief

The Philosopher Chimpanzee was done as a part of a series of twelve reliefs by Fredericks. He designed the series for a competition in 1939, hoping they would be installed on a government building in Washington DC, but the building was never built.

The donor of the work, June Lockhart, was a 1938 graduate of Kingswood School Cranbrook. While at Kingswood, her sculpture teacher was Fredericks. Lockhart’s father, Robert H. Daisley, was the Vice President of Eaton Manufacturing Company. He commissioned Fredericks to create a memorial in honor of the employees of the Eaton Manufacturing plant in Saginaw who died in World War II. Daisley bought the Philosopher Chimpanzee at that time, which Lockhart inherited upon her father’s death. She generously gave it to Cranbrook last year, and we are excited for the girls to see it when they return for classes this fall!

The chimp joins the other Marshall Fredericks works on campus, including The Thinker at the Academy (another philosophizing primate), The Pony Express reliefs at the Boys Middle School, and the Two Sisters at Kingswood.

– Leslie S. Mio, Associate Registrar *

* Fun Fact: One of Leslie’s hobbies is giving tours of Greenwood Cemetery in Birmingham, Michigan, where Marshall M. Fredericks, as well as the Booth family, are buried.

A Fond Farewell

Farewell Gretchen

Gretchen in front of the North Gates before they head off to conservation.

As the end of the year approaches, it is with a heavy heart that the Center for Collections and Research is saying a fond farewell to our Associate Registrar Gretchen Sawatzki. After 2 years of working hard at Cranbrook cataloging and restoring cultural properties all over the campus, organizing the restoration of the North Gates, contributing to the blog, maintaining objects, coordinating loans, and much much more, Gretchen will be leaving Michigan. She has taken a position in California and will be driving out west in the new year! We couldn’t be happier for her and her new opportunity but she will be greatly missed here at the Center for Collections and Research, as well as at all over the Cranbrook Campus.

Please feel free to leave comments and well wishes to Gretchen as she begins this new chapter!

Stefanie Kae Dlugosz, Collections Fellow, Center for Collections and Research

Photo Friday: The Fate of the North Gates

Arriving at  Cranbrook House you have probably noticed the large wrought iron entrance gates that welcome guests to the property along Lone Pine Road. A collaborative design by Cranbrook Founder, George Gough Booth (1864 – 1949) and Polish-American blacksmith, Samuel Yellin (1885 – 1940), this pair of gates were completed in 1917and are among the most cherished historic decorative elements at Cranbrook. But did you know that they are not the only gates that were a Booth-Yellin collaboration situated on the property?

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The North (Woods) Entrance Gates in Yellin’s studio, 1917. Courtesy Cranbrook Archives

Affectionately referred to as the North Gates, the gates seen in this photograph were also a collaborative design by Booth and Yellin. Forged by Yellin in his Philadelphia studio in 1917, the North Gates were installed as a part of a stone entrance wall at the old Cranbrook House entrance drive just north of Kingswood School on Cranbrook Road. When the drive was closed to re-route traffic to the house, the gates were ultimately removed and put into storage where they have remained – until now! Next week the North Gates will be leaving Cranbrook for a short journey to Cleveland for a full restoration. The six month project will include the fabrication of hand-wrought ironwork to replicate missing elements, chiseling to recreate bird faces and leaf veins, sandblasting, and the replication of a historic surface finish. Upon their return next spring the gates will be reinstalled at the new exit drive at Cranbrook House on Lone Pine Road just west of the South Entrance gates. So keep your eyes peeled for the triumphant return of the freshly restored gates!

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The original site of the North Gates as it appears today on Cranbrook Road. Photographer, Gretchen Sawatzki

 

Gretchen Sawatzki, Associate Registrar

 

To check out some more gate related information click here and here!

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