A Final Reflection (2002-2018)

The “bananas went a-missing” and Kingswood School’s Chiquita Banana Scholarship. The thief who stole the (attributed to) Rembrant Peale portrait of George Washington and the mysterious return of Perseus on the porch of the Thornlea Studio Archives. Gates and andirons and architectural details like the lead conductors at Cranbrook House designed by New York metalsmith Oscar Bach. Cranbrook’s mid-century modern Edison House, the House of the Poet (never realized thank goodness!), Chanticleer Cottage (which used to be the chicken house), Walnut Cottage, Tower Cottage, and Brookside Cottage (also known as the Honeymoon Cottage or Stonybrook) which evolved from the original pump house.

Unidentified man on bridge (no, it is NOT George Booth) with the pump house in the background, ca 1915

And the people! The Italians who literally moved mountains of dirt and rocks, graded the roads, and built the stone walls and beautiful rock gardens that lined the campus.

Landscape architect Edward Eichstaedt, who designed the original planting plan around Jonah Pools and later worked on landscape design for Eero Saarinen’s General Motors Technical Center. The women who left their mark at Christ Church Cranbrook – Kathryn McEwen, Hildreth Meière, and silversmith Elizabeth Copeland. Cranbrook School’s art teacher John Cunningham and his mosaics (which can still be seen today) Kingswood School’s French teacher, Marthe Le Loupp, and Brookside’s dietician Flora Leslie.

Eichstaedt’s 1934 Planting Plan for the Lower basins

Notable national celebrities connected to Cranbrook: Leonard Bernstein, Dave Brubeck, Amelia Earhart, Henry Ford, Eleanor Roosevelt, and Anne Morrow Lindbergh to name just a few. But perhaps most interesting to me was learning the stories of those not so well known: Ebba Wicks Brown – the first registered female architect in the state of Oregon who came to Cranbrook to study architecture with Eliel Saarinen. Colonel Edwin S. George, a Detroit businessman and philanthropist who was affiliated with Cranbrook in a variety of ways – most notably for his contributions to the Institute of Science. Myrtle Hall – the first African American model at the Cranbrook Academy of Art and Cleo Dorman – another model who was infamous for collecting paintings of her done by famous artists. And so many, many more names still swirling around in my brain.

Curatorial scholars at work

Perhaps my greatest joy here has been to help researchers find the answer to their questions, and to guide them towards collections that they might not have thought of – which has often led to a change in the course of their research. I am very proud of the fact that Cranbrook Archives has an international reputation for exemplary service and for being so organized and easy to use. I will miss working with the many students, faculty, staff, researchers, and scholars as you have taught me as much, if not more, than I have taught you. Thank you for that.

And, thank you to the Cranbrook Kingswood Senior May students and the many archival graduate students who have worked on projects over the years, and a special thanks to the most amazing volunteers! We couldn’t have accomplished all that we have without you.

Graduate student (left) and dedicated volunteers at Thornlea Studio Archives

I will close my final Cranbrook blog post by doing what I have tried to do my entire 16 year career here – promote Cranbrook Archives. In the archival profession, one constant issue many of us face is how to demonstrate to our institutions and constituents the importance of an archives – why archives matter. I could wax on, but instead I leave you with this article in the hopes that all who read it will have a new appreciation for the work that archivists do every day to preserve institutional memory. History matters. Archives matter. I am proud that I played a small role in preserving Cranbrook’s rich history.

And on that note, I bid adieu.

Leslie S. Edwards, Head Archivist (2002-2018)

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