Photo Friday: Underlying Principles of Beauty

St. Paul Chapel reredos. Courtesy Cranbrook Archives.

St. Paul Chapel reredos. Courtesy Cranbrook Archives.

In a letter to George G. Booth ca 1931, Detroit News Art Critic Florence Davies, writes of artist Hildreth Meiere, “All over the place she discovered these refinements of line, these essential underlying principles of beauty. I have taken many people to Cranbrook, never anyone who saw it with so much understanding.”

Meiere (1892-1961) was a distinguished Art Deco muralist, painter, and decorative artist. Her commissions range from the medallions on the exterior of Radio City Music Hall to the dome in the National Academy of Sciences in Washington D.C. to the reredos panels in St. Paul’s Chapel in Christ Church Cranbrook. Educated at Manhattanville, the Art Students League, the California School of Fine Arts, the School of the Art Institute of Chicago, and in Florence, Italy, Meiere was a renowned muralist, as well as an important figure in the history of American Liturgical Art, and a preeminent mosaicist.

“It drives me wild to be spoken of as ‘one of the best women artists,” Meiere wrote to a friend in 1936, “I’ve worked as an equal with men and my rating as an equal is all that I value.” In 1956, she was the first woman honored with The Fine Arts Medal of the American Institute of Architects. Although it has taken years for her work to be discovered and viewed in its rich cultural context, we are grateful for her artistry here at Cranbrook.

Note: You can view more information and images of Hildreth Meiere’s work here.

Gina Tecos, Archivist

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